Photo courtesy of Rural Action.
I'm very glad to announce that I've joined the AmeriCorps for the year, and will be serving in Shawnee and across Appalachian Ohio on projects for Ohio's Hill Country Heritage Area and The Winding Road. Read about it and more in my August newsletter. Find the newsletter here.
I'm excited to be a part of the Experimental Music and Listening Sessions (ELMS) taking place in Boston next month. I'll be joining seven other composers and performers for a weekend of discussions, listening (obvs.), presentations, and concerts. The public concert is August 5, 2018, 2:00pm, at Third Life Studio in Somerville. I'll have some simple piano pieces for several hands.
Photo: Dennis Savage, courtesy of Looking At Appalachia
I'm happy to be a part of the launch of "Heard Tell," a new feature to the Looking At Appalachia project. Designed and directed by Roger May, "Heard Tell" brings together audio recordings that either reflect on images and words on the website, or are stand alone recordings about Appalachia.
A few years ago, I recorded the Moonshine Festival in New Straitsville, Ohio, and when I saw the above image, I immediately recognized it. I also wrote about my experiences there, about what I heard, and how listening transformed me and the way I understand place, the past, and the present. Find the image, audio recording, and my writing on the Moonshine Festival here.
Back in 2016, Duke Performances was a co-commissioner of the “Shawnee, Ohio” project (along with Wexner Center for the Arts and Contemporary Arts Center). Now, I’m excited to bring “Shawnee” to Duke Performances this October 26 and 27 (2 nights!), as part of their 2018-19 season. What a stunning lineup of artists to be a part of! Find the catalog here.
In the season catalog, I get to share the same page (but not the same stage) as the legendary Emanuel Ax. The only other thing we’ve shared was a piano tuner back in 2003.
I had the pleasure of a conversation with my friend Jerry David DeCicca for North of the Internet. We talked about whether we care what other people think, what musicians we'd like to play like who make music nothing like our own, and front porch music vs. concert hall music. Find it here, on North of the Internet, a fascinating website of connections, constellations, and design.
I spent this past weekend in New York City at the A Blade of Grass orientation. It's hard to believe that I get to be a part of such an amazing cohort of artists and organization. Listening to the artists explain their work -- in prisons and along the border, with food and literature and greenhouses and equine therapy, and in places from Philadelphia to New York to Texas to Puerto Rico to Alcatraz -- was truly an inspiring experience. I can’t wait to see how all of these projects continue to grow and unfold!
Street Scene: A New Dimension, Damon Locks, 2010.
I wrote an article for SoundEffects: An Interdisciplinary Journal of Sound and Sound Experience on the Sun Ra/El Saturn Collection, and the Experimental Sound Studio commissions to reinterpret the archival recordings. Many thanks to ESS, Lou Mallozzi, Cauleen Smith, Todd Carter, Damon Locks, and Terri Kapsalis. For fans of: Sun Ra, archival performances, archival homophones, ways of listening, archival authorship, and embodied archives.
Also: here’s a great quote from Amiri Baraka on Sun Ra’s wordplay: “Ra taught that a word is not only an idea, but a sound. It has force and power...and its many meanings manifest at once."
Find the article here.
Photo courtesy of A Blade of Grass
I am SO thrilled and honored to be among this year's A Blade of Grass Fellows for Socially Engaged Art. What an amazing cohort of artists. It’s particularly exciting to have been selected as the ABOG Fellow for Contemplative Practice. It really means a lot to me, and I can’t wait to for the project to begin! #ABOGFellows #sociallyengagedart
Here is a link to an ArtNews article announcement.
I wrote a short essay for the Liquid Music blog in advance of a performance of "Shawnee, Ohio" in St. Paul, Minnesota. The performance is on March 20, at Macalester College. Read the full essay here.
In this interview, I talked with Mark Mazullo from Macalester College about the "Shawnee, Ohio" project and its upcoming performance for the Liquid Music Series in St. Paul, Minnesota on March 20. Read the full interview here.
"Shawnee Revisited," a sound and 3-channel video installation based on remixed material from "Shawnee, Ohio," opens today at the Weitz Center for Creativity at Carleton College, Minnesota. A counterpart to a Liquid Music series performance in St. Paul on March 20, "Shawnee Revisited" evokes the sounds and images of the town and region, tracing the history of extraction from 19th century mining to today. Generous support from the Weitz Center for Creativity made this piece possible. More information on this installation project can be found here.
I'll be presenting a solo performance of "Shawnee, Ohio" as part of Marshall University's "Appalachian Narratives: Notes on Identity," on Thursday, February 15, 2018. A Q&A session will follow.
So pleased to announce that I'll be bringing Shawnee, Ohio to Minnesota as part of the St. Paul Chamber Orchestra's 2017-18 Liquid Music Series. And what a fantastic series it is: expertly curated, timely, and exciting. We will be performing Shawnee on March 20, 2018, as part of the No Fiction Festival, at Mairs Concert Hall at Macalester College, St. Paul. In addition, there will be a related event: a sound and video installation at Carleton College based on Shawnee, Ohio.
To celebrate the 10-year anniversary of the release of American Winter on Atavistic Records, I've made a score for the piece. It includes transcriptions of all of the different voices sampled. I still love these field recordings from the Berea Appalachian Sound Archives, and am thankful for being given access to them. Look for a collection of more Berea recordings in 2018, called The Night Is Drawing Nigh, on Dust-to-Digital! And, check out the score here.
Many thanks to Mya Frazier and Columbus Monthly for a thoughtful and in-depth article on Shawnee and recent performances of the "Shawnee, Ohio" project.
Click here to read the full article.
A feature article on "Shawnee, Ohio" was published in the February 2017 issue of Columbus Monthly. The article is an in-depth and thoughtful investigation of the project and live performances, and my history as a composer who works with sound archives. It's a great honor!
I am happy to be a part of two compilations this year:
The first, "Notes from Sub-Underground," is a compilation of music and sound made from over 50 artists. ALL proceeds are being donated to the ACLU. Find it here.
The second is Aquabear Legion's All-Ohio Vinyl Compilation, featuring 23 bands. Find it here!
Live performance and Q&A excerpts are from the Wexner Center for the Arts in Columbus, Ohio (October 27, 2016), and the Tecumseh Theater, Shawnee, Ohio (October 28, 2016).
Performers:
Jeremy Woodruff, Flute and Tenor Saxophone
Katie Porter, Bass Clarinet
Anna Roberts-Gevalt, Banjo and Violin
Liz Fisher, Violin
Jocelyn Hach, Viola
Jan Van Voorhis, Cello
Aaron Michael Butler, Vibraphone
Brian Harnetty, Piano and Electronics
Sound/Video Production:
Keith Hanlon, recording engineer, live sound engineer
Kevin Davison, videographer, video editor
Scott Austin, live sound engineer, Wexner Center for the Arts
Special thanks to:
Charles Helm, Wexner Center for the Arts
John Winnenberg, Sunday Creek Associates
Above and below are photos from three recent performances. From top to bottom: Wexner Center for the Arts (October 27-8, 2016, photos by Kevin Davison); Contemporary Arts Center Cincinnati (November 3, 2016, photos by Asa Featherstone); and the Tecumseh Theater, Shawnee (October 29, 2016, photos by Kevin Davison).
