Brian Harnetty is a composer, performer, artist, and writer who works with sound archives. His body of work contends that the act of listening to places and their sonic pasts can transform their futures.
Both a 2018 A Blade of Grass Fellow for Contemplative Practice, and a recipient of the 2016 Creative Capital Performing Arts Award, Harnetty is deeply involved with local issues of Appalachia and the Midwest. He connects sound archives with performance, ecology, and place. Many of his pieces transform archival material––including field recordings, transcriptions, and historic recordings––into newly re-contextualized sound collages. For more than a decade, this has led to projects with archives such as the Berea College Appalachian Sound Archives in Kentucky, the Sun Ra/El Saturn Archives in Chicago, and the Anne Grimes Collection in the Library of Congress. Harnetty's recent work listens to the historic, economic, cultural, and environmental sounds of Appalachian Ohio, informed in part by his family's roots in the region.
Harnetty received a Ph.D. in Interdisciplinary Arts at Ohio University. He studied with Michael Finnissy and was mentored by Steve Martland at the Royal Academy of Music, London, where he received an M.Mus. in Music Composition. He earned a B.Mus. in Music Composition and Theory from The Ohio State University.
Harnetty has released four internationally acclaimed albums: American Winter (2007), Silent City (2009), The Star-Faced One (2013), and Rawhead & Bloodybones (2015). Harnetty’s music is on Dust-to-Digital, Atavistic, and Scioto Records. He has collaborated with many musicians, including Will Oldham (Bonnie “Prince” Billy), Fred Lonberg-Holm, Paul De Jong (The Books), and Anna Roberts-Gevalt (Anna & Elizabeth). As a writer, Harnetty has written articles and essays for New Music Box, Experimental Music Yearbook, Sound Effects, and Cultural Studies. He has received two Ohio Arts Council Individual Excellence Awards (2016, 2003), commissions from the Wexner Center for the Arts, Duke Performances, and Contemporary Arts Center (Cincinnati), and additional grants and fellowships from the National Performance Network, Berea College Appalachian Sound Archives, and the Promusica Chamber Orchestra. His 2013 release, The Star-Faced One: from the Sun Ra/El Saturn Archives was MOJO Magazine’s Underground Album of the Year.