I wrote a short essay for the Liquid Music blog in advance of a performance of "Shawnee, Ohio" in St. Paul, Minnesota. The performance is on March 20, at Macalester College. Read the full essay here.
Interview: Brian Harnetty on "Shawnee, Ohio" for the Liquid Music Series Blog
In this interview, I talked with Mark Mazullo from Macalester College about the "Shawnee, Ohio" project and its upcoming performance for the Liquid Music Series in St. Paul, Minnesota on March 20. Read the full interview here.
"Shawnee Revisited" Opens at Carleton College, Minnesota
"Shawnee Revisited," a sound and 3-channel video installation based on remixed material from "Shawnee, Ohio," opens today at the Weitz Center for Creativity at Carleton College, Minnesota. A counterpart to a Liquid Music series performance in St. Paul on March 20, "Shawnee Revisited" evokes the sounds and images of the town and region, tracing the history of extraction from 19th century mining to today. Generous support from the Weitz Center for Creativity made this piece possible. More information on this installation project can be found here.
Solo Performance at Marshall University
I'll be presenting a solo performance of "Shawnee, Ohio" as part of Marshall University's "Appalachian Narratives: Notes on Identity," on Thursday, February 15, 2018. A Q&A session will follow.
More Info: Liquid Music Presents "Shawnee, Ohio" as Part of No Fiction Festival
"Shawnee, Ohio" part of 2017-18 Liquid Music Series
So pleased to announce that I'll be bringing Shawnee, Ohio to Minnesota as part of the St. Paul Chamber Orchestra's 2017-18 Liquid Music Series. And what a fantastic series it is: expertly curated, timely, and exciting. We will be performing Shawnee on March 20, 2018, as part of the No Fiction Festival, at Mairs Concert Hall at Macalester College, St. Paul. In addition, there will be a related event: a sound and video installation at Carleton College based on Shawnee, Ohio.
"American Winter" 10-Year Anniversary Score
To celebrate the 10-year anniversary of the release of American Winter on Atavistic Records, I've made a score for the piece. It includes transcriptions of all of the different voices sampled. I still love these field recordings from the Berea Appalachian Sound Archives, and am thankful for being given access to them. Look for a collection of more Berea recordings in 2018, called The Night Is Drawing Nigh, on Dust-to-Digital! And, check out the score here.
Columbus Monthly Feature Article
Many thanks to Mya Frazier and Columbus Monthly for a thoughtful and in-depth article on Shawnee and recent performances of the "Shawnee, Ohio" project.
Click here to read the full article.
Feature Article in Columbus Monthly
A feature article on "Shawnee, Ohio" was published in the February 2017 issue of Columbus Monthly. The article is an in-depth and thoughtful investigation of the project and live performances, and my history as a composer who works with sound archives. It's a great honor!
Two 2017 Compilations
I am happy to be a part of two compilations this year:
The first, "Notes from Sub-Underground," is a compilation of music and sound made from over 50 artists. ALL proceeds are being donated to the ACLU. Find it here.
The second is Aquabear Legion's All-Ohio Vinyl Compilation, featuring 23 bands. Find it here!
Live Video at Wexner Center and Tecumseh Theater of "Shawnee, Ohio"
Live performance and Q&A excerpts are from the Wexner Center for the Arts in Columbus, Ohio (October 27, 2016), and the Tecumseh Theater, Shawnee, Ohio (October 28, 2016).
Performers:
Jeremy Woodruff, Flute and Tenor Saxophone
Katie Porter, Bass Clarinet
Anna Roberts-Gevalt, Banjo and Violin
Liz Fisher, Violin
Jocelyn Hach, Viola
Jan Van Voorhis, Cello
Aaron Michael Butler, Vibraphone
Brian Harnetty, Piano and Electronics
Sound/Video Production:
Keith Hanlon, recording engineer, live sound engineer
Kevin Davison, videographer, video editor
Scott Austin, live sound engineer, Wexner Center for the Arts
Special thanks to:
Charles Helm, Wexner Center for the Arts
John Winnenberg, Sunday Creek Associates
Source: https://vimeo.com/198400547
Photos of Live Performances at Wexner, CAC, and Shawnee
Above and below are photos from three recent performances. From top to bottom: Wexner Center for the Arts (October 27-8, 2016, photos by Kevin Davison); Contemporary Arts Center Cincinnati (November 3, 2016, photos by Asa Featherstone); and the Tecumseh Theater, Shawnee (October 29, 2016, photos by Kevin Davison).
"Elevator Pitch" at Contemporary Arts Center, Cincinnati
Drew Klein and I rode up the 6 floors of the Contemporary Arts Center, Cincinnati this past week. In that time, I had to explain what is at the heart of "Shawnee, Ohio," which we were performing that week in the CAC's black box performance space. We did it in one take!
Art Makes Columbus Statement →
I wrote a few words for Art Makes Columbus about working as a composer here, and on the upcoming premiere of "Shawnee, Ohio" at #theWex next week. Read here or click through to their tumblr:
I grew up in Westerville, and my parents have deep family roots in southeastern Ohio, in Perry County. My favorite memory from childhood is walking in my grandfather’s orchard in Junction City, picking and eating apples until my stomach hurt. In 1998, I moved to London to study music composition. After finishing, my teacher there encouraged me to come back to Ohio; he thought I might thrive better here than anywhere else. Even though I wanted to stay in London, I knew that he was right, so I moved back. I never forgot his advice. I’ve often felt pretty lost since then. Slowly, I built a creative voice here. I started working with local and regional sound archives, and the communities connected to them. In 2010, I began to visit, record, and write about Shawnee, a town in Appalachian Ohio, where my mom’s family emigrated to as coal miners in the 1870s. I did a lot of listening––to people and places––and made a piece called “Shawnee, Ohio” that traces the history of mining and energy extraction in the region. Now, I am performing this music for audiences in Ohio (including in Shawnee) and around the country. I feel compelled to honor the voices of the people that have lived and worked in Shawnee, to share their stories, and to add my voice in solidarity to those working as stewards of their own places.
Listen to an Excerpt of "Neva" from "Shawnee, Ohio"
A short promotional excerpt by Claudia Esslinger of "Neva," for the upcoming world premiere performances at the Wexner Center for the Arts (October 27-28), Shawnee (October 29), and Contemporary Arts Center Cincinnati (November 3). "Neva" is from the forthcoming 2017 album "Shawnee, Ohio," on Dust-to-Digital Records. "Shawnee, Ohio" is co-commissioned by the Wexner Center for the Arts, Duke Performances, and Contemporary Arts Center, Cincinnati. "Shawnee, Ohio" is a project of Creative Capital.
Watch My Presentation at the Creative Capital Retreat
Above is my presentation at the Creative Capital retreat this past summer at the Experimental Media and Performing Arts Center (EMPAC) in Troy, New York. The retreat was a chance to share and learn about the work of leading artists across the country, and meet with industry professionals. It was a life-changing experience, and I was grateful for the chance to be there.
"Shawnee, Ohio" premieres in less that two weeks at the Wexner Center, October 27 and 28. We'll also be performing in Shawnee on the 29th, and at the CAC Cincinnati on November 3.
Watch an Excerpt of "Sigmund" from "Shawnee, Ohio"
"Sigmund" is one of eleven audio portraits from "Shawnee, Ohio." Combining Sigmund's voice and words with a seven-piece ensemble, the piece explores the grief and humanity associated with energy extraction, mining, and disaster. It uses excerpts from Justin Zimmerman's film "Meeting Again," a documentary about the Millfield Mine Disaster. Sigmund Kozma was the last living survivor.
The world premiere of "Shawnee, Ohio" takes place on October 27 and 28 at the Wexner Center for the Arts in Columbus, Ohio, followed by shows in Shawnee (October 29) and Contemporary Arts Center Cincinnati (November 3).
Listen to "Amanda" from "Shawnee, Ohio."
"Amanda" is a track from the forthcoming 2017 album "Shawnee, Ohio," on Dust-to-Digital Records. The field recording is a local murder ballad from Gore, Ohio. It is used with permission from the Anne Grimes Collection at the Library of Congress.
"Shawnee, Ohio" is co-commissioned by the Wexner Center for the Arts, Duke Performances, and Contemporary Arts Center, Cincinnati. "Shawnee, Ohio" is a project of Creative Capital.
Wexner Center Premieres "Shawnee Ohio" October 27-28 →
Tickets are now on sale for the world premiere of "Shawnee Ohio" at the Wexner Center for the Arts on October 27 and 28. It features a great group of musicians, including Anna Roberts-Gevalt (from Anna and Elizabeth), my old pal Jeremy Woodruff, and the fantastic Katie Porter, Aaron Michael Butler, and Jocelyn Hach.
"Shawnee, Ohio" was co-commissioned by the Wexner Center for the Arts, Duke Performances, and Contemporary Arts Center (Cincinnati). "Shawnee Ohio" is a project of Creative Capital.
Creative Capital 2016 Retreat
Photos by Hasan Elahi
I had the pleasure of attending and talking at the Creative Capital retreat at the Experimental Media and Performing Arts Center (EMPAC) in Troy, New York this past weekend. I shared excerpts and context for my current project, "Shawnee Ohio." There were so many inspiring artists, presenters, and others working in the arts. It is such an honor to be among them!